Journal of Culture-Communication Studies

In this research, we analyze the cultural policies of the family. The results show that the Iranian family, like many other societies, is subject to significant changes. In recent years, the tendency to form a family has been reduced to a certain extent, and marriage is delayed until social, economic ... Read More

Developments in the Cultural Policy of Virtual Social Networks in the Islamic Republic of Iran: Case Study of Upstream Documents Analysis (1987-1396)

meysam farokhi; مهدی نادری نژاد

Volume 20, Issue 48 , January 2020, , Pages 113-134

https://doi.org/10.22083/jccs.2019.140049.2497

Abstract

Developments in the Cultural Policy of Virtual Social Networks in the Islamic Republic of Iran: Case Study of Upstream Documents Analysis (1987-1396) چکیده [English] In this paper, the researcher has analyzed and evaluated the upstream documents of the country in order to respond to the cultural ... Read More

Public Culture Council and the Effect of its Sanctioned Laws on Policy and Cultural Planning in Isfahan

Abbas Moghtadaei; Kobra Raei

Volume 14, Issue 23 , December 2013, , Pages 57-93

Abstract

The purpose of this research was to study "The position of Isfahan public culture council on organizing cultural affairs". The information of this research was the sanctioned laws of public culture council from 1372 until 1389. The research methodology was analyzing the content of sanctioned laws of ... Read More

Evaluating Arts Policies by Promoting Chartrand and McCaughey's Model

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Volume 11, Issue 10 , August 2010, , Pages 79-111

Abstract

This ressearch is promoting and localizing the model, which group arts policies into four types: facilitator, patron, architect and engineer. These four types or roles can be used for displaying the degree of the state intervention in art and cultural domain. For this reason, by studying the state ... Read More

Political Sociology of Iranian Cinema (Obligations of Iranian Cinema Policy-Makers in 70s and 80s)

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Volume 11, Issue 9 , May 2010, , Pages 57-88

Abstract

Cinema, in the time of political confrontation between different parties, has always been the area of disputes and every party, according to its cultural viewpoint, has challenged the position of cinema at the time of its rival administration. What happens in today's political atmosphere in Iran is ... Read More Cinema, in the time of political confrontation between different parties, has always been the area of disputes and every party, according to its cultural viewpoint, has challenged the position of cinema at the time of its rival administration. What happens in today's political atmosphere in Iran is not the quarrel of two political parties; rather, confrontation of two ideologies or two political discourses challenging each other by defining two cultural systems; one based on guarding revolutionary, religious, and ethical values, and another supporting social and civil rights. In this paper, artistic management of Islamic Republic of Iran has been investigated through explaining cultural-artistic policies of the administrations in 1370s (1990s) and 1380s (2000s). This article is the outcome of a study conducted on political sociology of Iranian cinema in 1370s (1990s) in which the cultural-artistic policies of the government in 1370s (1990s) and 1380s (2000s) are investigated through content analysis and text analysis of movies selected by the government in Fajr movie festivals on the one hand, and the audience of Iranian cinema, on the other. In this study, the role of cultural policy makers and artistic managers in administering these policies are mentioned. The present study indicates that artistic policy makers and managers of the both discourses referred to as "traditional discourse" and "democratic discourse" in this paper, have always made cinema the stage of their discourses and resorted to "people" for justifying their policies. They, in policy making area in cinema sector, consider their own musts and must nots as the musts and must nots of people and regard their own believes as believes of people. Also, whenever they criticize each other's policies, call people to witness their claims and attack each other's policies reasoning that they are not congruent with people believes and values. Policy makers and administrators of both political discourses have never moved toward "cultural union" and have always taken "part" of Iranian society culture into consideration in their artistic-cultural planning. They have been far from "previous experiences", "society expedience" and "prudence", whereas the audiences of Iranian cinema have always welcomed a combination of religious values together with social – political values in the movies.

Pathological study of Iran’s Cultural Policies and Policy Makings after Islamic Revolution

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Volume 9, Issue 4 , February 2008, , Pages 133-178

Abstract

Cultural policy making, need to make or not to make it, its limits and arena interfering organizations, their relation type and interactions, cultural policy making theories (adaptation with local environment), models, methods and so on are some of the cultural problems and questions with which the cultural ... Read More

Journal of Culture-Communication Studies

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Keywords = cultural policy

Analysis of Family Cultural Policies in Iran after the Revolution

Abstract

Developments in the Cultural Policy of Virtual Social Networks in the Islamic Republic of Iran: Case Study of Upstream Documents Analysis (1987-1396)

Abstract

Public Culture Council and the Effect of its Sanctioned Laws on Policy and Cultural Planning in Isfahan

Abstract

Evaluating Arts Policies by Promoting Chartrand and McCaughey's Model

Abstract

Political Sociology of Iranian Cinema (Obligations of Iranian Cinema Policy-Makers in 70s and 80s)

Abstract

Pathological study of Iran’s Cultural Policies and Policy Makings after Islamic Revolution

Abstract