Works Cited
Allen, P. G. (1979). The psychological landscape of ceremony. American Indian Quarterly, 5(1), 7-12. Doi:10.2307/1184719.
Althusser, L. (2004). Ideological state apparatus. In J. Rivkin & M. Ryan (Eds.), Literary theory: An anthology (pp. 693-702). Oxford Blackwell Publishers.
Bird, G. (1993). Towards a decolonization of the mind and text 1: Leslie Marmon Silko's Ceremony. Wicazo Sa Review, 9(2), 1-8.
Bose, B. (2012). Narrative strategies and the politics of representation in Louise Erdrich’s Tracks.
Journal of Postcolonial Writing, 48(3), 267-280. Doi:
10.1080/17449855.2012.678709
Bowers, N., Silet, C. L. P., & Vizenor, G. (1981). An interview with Gerald Vizenor. Melus, 12(2), 41-49.
Erdrich, L. (2004). Tracks. USA: Harper Collins Publishers.
Erdrich, L. (2012). The Round House. USA: Harper Collins Publishers.
Evers, L. (1985). Words and place. In A. Wiget (Ed.), Critical essays on Native American literature. Boston: GK Hall. 3-17.
Garcia, R. (1983). Senses of place in Ceremony. MELUS, 10(4), 5-11.
Gilderhus, N. (1994). The art of storytelling in Leslie Marmon Silko's 'Ceremony'. The English Journal, 83(2), 70-74.
Greenblatt, S. (2010). Cultural mobility: A manifesto. UK: Cambridge University Press.
Hobbs, M. (1994). Living in-between: Tayo as radical reader in Leslie Marmon Silko's "Ceremony". Western American Literature, 28(4), 301-312.
Jorgenson, M., & Phillips, L. J. (2002). Discourse analysis as theory and method. CA: SAGE Publications Ltd.
Kristeva, J. (1980). Desire in language: A semiotic approach to literature and art. USA: Columbia UP.
Laclau, E., & Mouffee (2001). Hegemony and socialist strategy: Towards a radical democratic politics. London: Verso.
Mishra, J. (2013). Resisting colonialism: Strategies of subversion in Leslie Marmon Silko’s Ceremony. Journal of the Indian Academy of Applied Psychology, 39(1), 157-165.
Naithani, S. (2010). The story-time of the British Empire: Colonial and postcolonia folkloristics (1st Ed.). USA: University Press of MIssissippi.
Rand, N.R. (1995). Surviving what haunts you: The art of invisibility in Ceremony, The Ghost Writer and Beloved. MELUS ,20(3),21-32
Ortiz, S.J. (2010). Towards a national Indian literature: Cultural authenticity in nationalism. In H.Bloom et al.(Eds.), Exploration and colonization (pp7-15) Infobase Publishing.
Owens, L. (1992). Other destinies: Understanding the American Indian novel. US: University of Oklahoma Press.
Ritskes, Sium, A. & Eric. (2013). Speaking truth to power: Indigenous storytelling as an act of living resistance. Decolonization:Indigeneity, Education and Society ,2(1),I-X
Satterlee, M. (2006). Landscape imagery and memory in the narrative of trauma: A closer look at Leslie Marmon Silko's "Ceremony". Interdisciplinary Studies in Literature and Environment ,13(2),73-92
Sellers, S.A. (2012). Resistance,reclamation,and redefinition in contemporary Native American women's writing.American Indian Quarterly ,36(3),355-378
Silko, L.M. (1977). Ceremony. USA: Penguin Books.
Silko, L.M. (1991). Almanac of the dead. USA: Simon and Schuster.
Sinfield, A. (1992). Faultlines: Cultural materialism and the politics of dissidence reading. USA: University of California Press.
Teuton, S.K. (2008). Red land, Red Power: Grounding knowledge in the American Indian novel. USA: Duke University Press.
Vizenor, G. (2009). Native liberty: Natural reason and cultural survivance. New York and London: University of Nebraska Press.
Williams, R. (1977). Marxism and literature. London: Oxford.
