This paper has studied the representation of Razavi Culture (the thoughts and teachings of Imam Reza) in the cinema of Iran by a brief introduction and overview of the most important films made about Razavi Culture after the revolution of Iran. In this paper we have studied the movie named “Kimiya “as one of the most important movie which has so many Spiritual connections to the Imam Reza as the main issue in the film. The movie can be considered as a part of the Sacred Defense genre. The method which has been used in this article is Qualitative methods of semiotic analysis; although the Roland Barthes model in analyzing the novels of Honoré de Balzac has been applied, the Scenes of the film that was related to the subject has been chosen and studied
00, 0. (2011). The Representation of Razavi Culture (the thoughts and teachings of Imam Reza ) in the Cinema of Iran. Journal of Culture-Communication Studies, 12(15), 225-245.
MLA
00 00. "The Representation of Razavi Culture (the thoughts and teachings of Imam Reza ) in the Cinema of Iran". Journal of Culture-Communication Studies, 12, 15, 2011, 225-245.
HARVARD
00, 0. (2011). 'The Representation of Razavi Culture (the thoughts and teachings of Imam Reza ) in the Cinema of Iran', Journal of Culture-Communication Studies, 12(15), pp. 225-245.
VANCOUVER
00, 0. The Representation of Razavi Culture (the thoughts and teachings of Imam Reza ) in the Cinema of Iran. Journal of Culture-Communication Studies, 2011; 12(15): 225-245.
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