منابع و مأخذ
سردار، ضیاءالدین (1387). شرقشناسی، ترجمة محمدعلی قاسمی، چاپ اول، تهران: پژوهشگاه مطالعات فرهنگی و اجتماعی.
گریمال، پیر (1393). فرهنگ اساطیر یونان و رم، ترجمة احمد بهمنش، چاپ چهارم، تهران: مؤسسه انتشارات دانشگاه.
میرصادقی، جمال (۱۳۷۶). ادبیات داستانی: قصه، رمانس، داستان کوتاه، رمان، چاپ سوم، تهران: نشر سخن.
هال، استوارت و برم گیبن (1396). درآمدی بر فهم جامعة مدرن؛ کتب یکم: صورتبندیهای مدرنیته، ترجمة محمود متحد، عباس مخبر، حسن مرتضوی، مهران مهاجر و محمد نبوی، چاپ سوم، تهران: نشر آگه.
یونگ، کارل گوستاو (1389). انسان و سمبلهایش، ترجمة دکتر محمود سلطانیه، چاپ هفتم، تهران: انتشارات جامی.
Bayoumi, M. (2008). How Does It Feel to Be a Problem? Being Young and Arab in America. New York: Penguin Press.
CNN (2001). Hate crimes up in wake of terrorist attacks, 16 September. Available at: http://articles.cnn.com/2001–09–16/us/gen.hate.crimes_1_american-sikh-balbir-singh-sodhi-indiansikh?_ s=PM: US.
Dowd, Maureen (2013). My So-Called C.I.A. Life, New York Times, http://www.nytimes
.com/2013/09/15/opinion/sunday/dowd-my-so-called-cia-life.html.
Edwards G. (2013). Homeland’s CIA Connection, Men’s Journal, October 1, 2013, http://www.mensjournal.com
/magazine/homelands-cia-connection-20121022.
Hofstadter R. (1965). The Paranoid Style in American Politics and Other Essays. New York: Alfred A. Knopf.
ledema, R. (2001) Analysing film and television: a social semiotic account of hospital: an unhealthy business. In T. van. Leeuwen and C. Jewitt (eds), Handbook of Visual Analysis. London: Sage, 183—204.
Kellner, D. (2010). Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era, Wiley.
Kress, G., and T. Van Leeuwen. (2006). Reading images: The grammar of visual design (2nd ed.). New York: Routledge.
McMillin, D.C. (2002). Choosing Commercial Television’s Identities in India: A Reception Analysis, Journal of Media and Cultural Studies 16(1): 123–36.
McPhail, T. L. (2006). Global Communication: Theories, Stakeholders, and Trends, Wiley.
Moscovici, S. (1984). The Phenomenon of Social Representations, in R.M. Farr and S. Moscovici (eds) Social Representations. Cambridge, UK: Cambridge University Press.
Olson, S.R. (1999). Hollywood Planet: Global Media and the Competitive Advantage of Narrative Transparency. Mahwah, NJ: Lawrence Erlbaum.
Said, Edward W. (1978). Orientalism. New York: Vintage Books.
Shaheen, Jack G. (2001). Reel Bad Arabs: How Hollywood Vilifies a People. Northampton, MA: Interlink Publishing Group.
Singhal, A. and E. Rogers (2012). Entertainment-Education: A Communication Strategy for Social Change, Taylor & Francis.
Stanitzek, G. (2009). Reading the Title Sequence (Vorspann, Générique). Cinema Journal, 48(4), 44-58.
Totman, S. (2009). How Hollywood projects foreign policy, Palgrave Macmillan, New York, N. Y.
Traber, D. S. (2007). Whiteness, Otherness, and the Individualism Paradox from Huck to Punk, Palgrave Macmillan, New York, N. Y.
Van Leeuwen, T. (2008). Discourse and Practice: New Tools for Critical Analysis, Oxford University Press, USA.
Wodak, R. (2010). The glocalization of politics in television: Fiction or reality? European Journal of Cultural Studies, 13(1), 43-62.
Yin, R. K. (2011). Qualitative Research from Start to Finish: Guilford Publications.
Yunis, Alia, and Gaelle Duthler. (2011) “Tramps vs. Sweethearts: Changing Images of Arab and American Women in Hollywood Films.” Middle East Journal of Culture and Communication 4, no. 2: 225–43.