منابع و مأخذ
جواهریان، مهین(1378). تاریخچه انیمیشن ایران، کانون پرورش فکری کودکان و نوجوانان، تهران.
دادگر، محمدرضا؛ مصطفی رحماندوست، فریدون عموزاده خلیلی و رضا هاشمی‌نژاد(1375). «گزارشی از یک میزگرد: کمیک استریپ، نه کمیک استریپ، آری!»، پژوهشنامه ادبیات کودک و نوجوان، شماره 5: 28-7.
گلپایگانی، علیرضا(1389). انیمیشن ملی، رشد آموزش هنر،شماره 4: 27-20.
لنگرودی، احمد؛ محمدعلی صفورا، امیرحسن ندائی(1391). «عدم توفیق تولید انبوه انیمیشن در ایران با رویکرد مدیریت تولید، دهه 1380-1390»، نشریه هنرهای زیبا - هنرهای نمایشی و موسیقی، شماره 2: 68-61.
ممیز، مرتضی(1375). «چهره به چهره: کمیک استریپ بودن یا نبودن». پژوهشنامه ادبیات کودک و نوجوان، شماره 4: 45-26.
Beasley, W. (1972). the Meiji Restoration, Stanford University Press, California.
Dower, John (1986).War without Mercy: Race and Power in the Pacific War, Pantheon, USA.
Duus, Peter (2001). Presidential Address: Weapons of the Weak, Weapons of the Strong-The Development of the Japanese Political Cartoon, “The Journal of Asian Studies”, Vol. 60, No. 4: 965-997.
Ellul, Jacques (1965). Propaganda: The Formation of Men’s Attitudes,Vintage, USA.
Fuller, Frank Robert (2012). the Atomic Bomb: Reflections in Japanese Manga and Anime, Clark Atlanta University Doctoral Dissertation, Atlanta, USA.
Golmohammadi, Nasser (2003).An analysis of the circumstances and factors that have influenced the development of Animation Industry in Iran in the 1960-2002 period, The Nottingham Trent University Doctoral Dissertation, Nottingham, England.
Hollstein, Mark (2010). Monstrous Loss: The Dismemberment and Reanimation of the National Body in Japanese War and Horror Manga,Presented at the International Studies Association, Osaka.
Hu, Tze (2010). Frames of Anime: Culture and Image-Building, Hong Kong University Press, Hong Kong.
Ichiki, Masashi (2011). Embracing the Victimhood: a History of A-Bomb Manga in Japan, “IJAPS”, Vol. 7, No. 3.
Igarashi, Y. (2000).Bodies of Memory. Narratives of War in Postwar Japanese Culture,1945-1970, Princeton University Press, Princeton.
Illerbrun Kurt (2005). The Japanese Political Cartoon: Development and Decline, Master Thesis, St. Antony’s College, University of Oxford, Oxford, UK.
Jansen, Marius B. (2000).the Making of Modern Japan, Belknap Press, USA.
Jennison, Rebecca & Hein, Laura (2011). Against Forgetting: Three Generations of Artists in Japan in Dialogue about the Legacies of World War II, “The Asia-Pacific Journal”, Vol 9, Issue 30, No 1.
Mikhailova, Yulia (2008). Intellectuals, Cartoons and Nationalism during the Russo-Japanese War, In Mark W. MacWilliams (Ed.), Japanese Visual Culture, M.E. Sharpe, USA.
Mizuno Hiromi (2007). When Pacifist Japan Fights: Historicizing Desires in Anime, “Mechademia”, Volume 4, University of Minnesota Press.
Nakazawa Keiji, Minear,Richard H.(2010). Hiroshima: The Autobiography of Barefoot Gen,
Nakar Eldad (2008). Framing Manga On Narratives of the Second World War in Japanese Manga, 1957–1977, In Mark W. MacWilliams (Ed.), Japanese Visual Culture, M.E. Sharpe, USA.
Nakar Eldad (2003).Memories of Pilots and Planes: World War II in Japanese Manga, 1957–1967,Social Science Japan Journal, Volume 6, Issue 1, pp. 57-76.
Napier, Susan J. (2005). Anime from Akira to Howl’s Moving Castle, Palgrave MacMillan, NewYork.
Napier, Susan J. (2005). World War II as Trauma, Memory and Fantasy in Japanese Animation,presented at the Annual Meeting of the Association for Asian Studies, Chicago, March 31- April 2.
Okamoto, Rei (2009). Theorizing Manga: Nationalism and Discourse on the Role of Wartime Manga,Mechademia, Volume 4, University of Minnesota Press.
Okamoto, Rei (1999). Pictorial Propaganda in Japanese Comic Art 1941-1945, Temple University Doctoral Dissertation, Philadelphia, USA.
Penney, Matthew (2009). Nationalism and Anti-Americanism in Japan – Manga Wars, Aso, Tamogami, and Progressive Alternatives, The Asia-Pacific Journal, Vol. 17-2-09.
Schodt, Frederik L. (1983).Manga! Manga! The World of Japanese Comics, Kodansha International, New York.
Thomas, Jolyon Baraka (2012).Drawing on Tradition, Manga, Anime and Religion in Contemporary Japan, University of Hawai’i Press, Honolulu.
Villot, Janine (2013). Refiguring Indexicality: Remediation, Film, & Memory in Contemporary Japanese Visual Media, Master Thesis, University of South Florida, USA.
Sadeghi, Arash (2009). Ali Akbar Sadeghi,Bidoun magazine, Issue 16, Online at http://www.ubu.com/film/sadeghi.html, (accessed date 10/5/ 2015)
)