mohsen johari; hassan bashir
Abstract
Before the beginning of modern era and the amazing development of mass communication technology, art was considered and interested by thinkers. However, after the development of mass media and the development of literature in the field of culture and communication, the category of art, culture and communication ...
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Before the beginning of modern era and the amazing development of mass communication technology, art was considered and interested by thinkers. However, after the development of mass media and the development of literature in the field of culture and communication, the category of art, culture and communication was neglected and. caused many problems. This study tries to examine the relationship between three categories of art, culture and communication by studying some of the existing conceptual and theoretical structures. At the beginning, the concepts of "art", "culture", "communication" and "culture and communication" have been studied, and then the views and opinions of thinkers such as Heidegger, Benjamin, Nasr, Avini and Madadpour were investigated in the context of the relationship between these categories. For the conclusion, two descriptive and prescriptive approaches were performed and the approach of "Cultural Artistic Communication" was suggested as a desirable relationship between the categories.
Hooriye Bozorg; Seyed Majid Emami
Volume 16, Issue 30 , December 2015, , Pages 133-159
Abstract
In the era of image and visual dominance, cinema is improving rapidly with the unique capability of transforming objective reality to motional image. Meanwhile, essentialities and technologic limitations of cinematic image, Muslim cineastes and media thinkers have faced the problem of how to transfer ...
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In the era of image and visual dominance, cinema is improving rapidly with the unique capability of transforming objective reality to motional image. Meanwhile, essentialities and technologic limitations of cinematic image, Muslim cineastes and media thinkers have faced the problem of how to transfer religious message via this instrument. Quran, as eternal miracle of the last Prophet, has depicted several discrete and intellectual conceptions to sensible symbols for the people; as if, in many of Quran verses, you are not standing in front of the words, but vis-à-vis live images that talk to you. Reflection on each of these Koranic artistic images besides understanding the logic and custom of visualization in Quran can inspire picturesque works. In this article, with regard to the possibility of transferring religious message via cinema, we have attempted to discover the capacities of Koranic visual literature for realization of “religious cinema”, comparing Koranic visualization to cinematic.
