Ali Rajabzadeh Tahmasebi; S. M. Sadeq Morakabi
Abstract
Literature and criticism were enhanced and developed during the 20th century, in addition to the remarkable advancement of technology and the multiplicity of inventions and discoveries in scientific fields. The upsurge of current literary theory has become something of significant phenomenon in contemporary ...
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Literature and criticism were enhanced and developed during the 20th century, in addition to the remarkable advancement of technology and the multiplicity of inventions and discoveries in scientific fields. The upsurge of current literary theory has become something of significant phenomenon in contemporary literature, emerging as formidable force in interdisciplinary subjects. “Literary theory” is the body of ideas and methods we use in the practical reading of literature. By literary theory we refer not to the meaning of a literary work, but to the theories that reveal what literature can make sense. Literary theory is a description of the underlying principles, one might say the tools, by which we attempt to understand literature. All literary interpretation draws on a basis in theory but can serve as a justification for very different kinds of critical activity. The theory of literature has been changed during 20th century and presented new criteria. Such criteria have been changed constantly and very quickly. This study tries to examine and criticize such theories and to what extent they are permanent or temporary. There has been an essential question whether critical literature theories are able to present themselves in logic structure? Therefore, this paper has applied three literature theories such as formalism, constructivism, and post constructivism by using descriptive and analytic approach as mythology.
ahmad rezaei jamkarani; ali cheraghi
Abstract
The "dominant aspect" or "dominant element" is one of the fundamental concepts in formalism. It can be said that the dominant element is the prominent component of any work of art which affects other components and elements of the work and changes them; as a result, it makes the semantic centrality of ...
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The "dominant aspect" or "dominant element" is one of the fundamental concepts in formalism. It can be said that the dominant element is the prominent component of any work of art which affects other components and elements of the work and changes them; as a result, it makes the semantic centrality of the work and its structural coherence. The present study examines the dominant element in Mahmoud Dolatabadi's Works, based on "Jay -e- Khali -e- Saluch”. His works are important in various psychological and sociological aspects, but it seems the dominant aspect of these works is the "controversy of tradition and modernity” so that other issues, including violence against women and the identity crisis and poverty, have been more meaningful in the shade of the controversy. Based on the results of the present study, it can be said that various manifestations of this element (controversy of tradition and modernity) have been manifested in different forms of isolation, rejection, denial of will, identity crisis, and so on.
